Which may or may not mess you up.
You see the green as it cools when you are working it - so it doesn't come out of the kiln a complete surprise. The rods might be all black, or they may have some green streaks. It is a creamy, soft color to work - which is your first indication that you do not have a black on your hands.
It is, apparently, a copper-laden green - judging from the red patches of reduction that can form accidentally if you are not working in a balanced flame.
And it doesn't alway convert fully to green, with some areas staying quite dark. I have not yet successfully figured out if this is a function of heating, whether I can control it, or if it is due to heterogeneity in the glass (uneven mixing).
If you reduce it deliberately (cool, reheat in the tip of a low oxygen flame) - you get a rather interesting antique copper lustre, reminiscent of some of the Devardi glass photos. (I tried the devardi glasses - never got the results.) However - these went into the kiln with extensive, all-over reduction, and came out with mere traces - so whether that is the glass, or just my reduction eating kiln, I'm not sure.
Fun, eh? Lovely little color, this one.
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