Val Cox Frit: Jellyfish

Picked up some new Val Cox Frits - from her collection of new colours. This is Jellyfish, and it's pretty cool.

This little square tab is a core of clear, and Jellyfish on top. 

This larger focal is a core of white, with an opaque dark grey at each end, and jellyfish all over. 

One of the colours in there definitely makes pits in the glass, so you won't get an all-over smooth finish. I think I like the clear base one better, but that could be because I happened to get a nice blobby swirl of turquoise and purple.

Double Helix Skiron

This is my first run at the new Double Helix Skiron, and again, I don't think I did it justice.

Double Helix says:

Skiron is our new, sliver-striking, rainbow glass.  A major improvement over Luna 3 and Khaos, it resists over striking to khaki.  Skiron works best when reset, cooled, and struck. Cooling and striking times will vary based on bead size, flame temperature, and...

Not sure if I defied the "resists over striking" or just didn't strike it enough.  Above is a single round and 4 spacers with a base of Double Helix Oracle, and Skiron applied. The spacers just show a faint smear of blue. Not sure where the Skiron went.

 This is two sides of the same bead. Clearly more experimenting is required, as I am not getting the full range of colours.

 I am thinking I did not strike it enough. Oh well - I will try again.

Double Helix Pheobe

This is my first run at the new Pheobe - and I don't think I did it justice.

The disk is reduced, and the square is reduced and encased.

Double Helix calls it a "peachy super luster" and I think I might have missed that a bit. It is very nice though and I think I have to try again.

Comparison: Reichenbach Pearl Beige vs Mystic Beige

As we have just seen - these offerings from Reichenbach in their 104 CoE line do slightly different things.


The top rod and three spacers is the Mystic Beige, and the bottom rod and  four spacers is the Pearl Beige. The Mystic starts clear and gets a streaky opacity, and the Pearl starts translucent and has a pearly shimmer, if you don't over heat it.

Reichenbach 104: 0701 Mystic Beige

Reichenbach 104 - a 104 CoE glass - this is Mystic Beige.

Although the rod is clear, the beads come out with clouds. It develops a pleasant streaky opacity.

Reichenbach 104 L7015 Pearl Beige

Reichenbach 104 - 104 CoE glass from Reichenbach. This is Pearl Beige, a glass that looks like shampoo glass. Shampoo glass has a translucent shimmer - like - Hey! Shampoo! - that will disappear to clear if you overheat it, i.e. partially seen in the top mandrel, right bead. The rod doesn't resemble shampoo glass - so this was a bit of a surprise for me.

The colour is a warm dilute honey - so beige isn't the term I would have used, but meh - it gets the job done.

CiM 215: Butternut

CiM Butternut - a juicy, squashy orange that lives up to its name absolutely. If you want an earthy or happy orange - this is your colour.











 Three self-coloured spacers.

The one on the right has some frit melted in.

This is a base of Butternut, with the Val Cox Frit - Astarte - as shown last week.

To get that hurricane twist with an eye in the middle - twist with a clear stringer or rod, and then melt off and melt in the stub.

This is a base of butternut, with the Val Cox Frit Purple Rose, also as shown last week.

Val Cox Frit: Purple Rose

Purple Rose - not a new blend by any stretch of the imagination.

Val Cox describes it as:

Beautiful variegation between purple and blue violet. For best results, use an oxygen rich flame and cool slowly.

I, of course, did not read that until after using it, so just used it the way I would use any glass, and it came out pretty fine anyway. 

 There is chunks of blue, which can separate and show a little green in them, ...

 And chunks of purple, which display a colour very similar to the old Effetre EDP at its best, with spackles of blue.

I got the #2 grind - which is fairly large chunks. I really do find that the fine-ness of the size makes a difference in the end look.

Val Cox Frit: Iron Oxide

Here's another fun new frit from Val Cox. Iron Oxide. Val calls it:

Reactive blend, includes second generation raku and rich garnet among others. Heat well and cool, then repeat for color effects, or use normally for different tones.

 I certainly got some interesting colours out of it!

This one was far and away the most exciting.

the other side. I admit to being more excited by blue and purple than the earthier tones.

I have found that the raku family of glass - if you know what I mean - looks really spectacular on a base of opaque grey.

And this one was special because it on clear, but ...

only one side - so the other side is a window onto the clear - or like super thick encasing.

Val Cox Frit: Astarte

Synchronicity - you never hear of anything, and then it's everywhere. I chose this fiery frit from Val Cox called Astarte without really paying too much attention to the name. Then someone handed me an article on archeology regarding a discovery in Spain, and the article mentions the goddess Astarte!


And a fiery frit it is - this will pump the colour of hot embers into your bead. 













And with a bit of a swirl. The base colour here is  CiM 215 Butternut.

Eye Candy - Dragon

Dragon, made on the new Nortel Arrow.

Glass is Double Helix TerraNova

CiM 623 Cleopatra

CiM Cleopatra is a super dark, dense transparent purple that is easy to mistake for black in bad lighting.

The point of  this is not to use it by itself, but to use it in applications where a regular colour would disappear. Think super thin layers. Think shards. Think cane and stringers.




This flower is 3 dots of periwinkle, partially melted down, a cut into the dot vertically with a razor tool, a dot of cleopatra on each petal, melt down, poke the center, trap air bubble and encase. I have a video of flowers, in case you are looking for a brush up on the technique.

 This is super fine trails, melted in.

 And this is a cored-cane made by encasing periwinkle with Cleopatra, pulling about a meter of cane out, and encasing the bead, and melting it down.

You can see from this, there is a lot of potential for using ultra-dense colours!

Reichenbach 104 Ocean

Got my hands on some Reichenbach 104 CoE glass called Ocean. Ocean appears to be a blue aventurine, or blue + aventurine. It's got sparklies in it, and it's not so dark blue as to be nearly black.

The sparkle is fairly subtle, as with aventurine in general, but it works pretty easily too.

This is a large hole (not very hollow) and you see more or less of the sparkle as you change the angle you are viewing from.

It's not full-on hard core bling like 3 layers of dichro, but it is nice and would make a nice background. Totally worth using.

This is a 104 CoE glass, and I had no issues with compatibility.

Look what I got!

Oooooo. Look what I got! A new toy to play with! I'm going to be trying out the Nortel Arrow!

I'm really looking forward to this, such fun!

CiM 912 Lilac

CiM Lilac - a soft pinky purple - or possibly a purpley pink. It's not the colour I usually think of with the word Lilac - but I'm pretty locked in to the big, old-fashioned purple lilac blooms that fill the air with scent.

This isn't that colour. This is more like the newer pinky lilacs. ;-)

Other flameworkers report that it is a new colour to the 104 palette, being a little more purple than the other pinks out there. 








This pink pony - is definitely pink. The base is Effetre Periwinkle, for reference. I see a little discolouration in the photo below - on the neck and nose, and I'm not sure what that is - it's not really that visible in real life. It might be a little fuming from the silver frit on the periwinkle base.

This piece - well - I burned it - so you do have to watch the oxygen in the flame and make sure you don't smoke it with a bad ratio.

Effetre 255 Silver Pink

Effetre Silver Pink - while it is possible to get a pink blush from this, don't be expecting Pepto pink. ;-)

Mostly it is an ivory colour, and is used more for the interesting things it can do, more like Opal Yellow.

I got a bit of the pink blush on his face. It's very easy to loose the pinkish tone, and harder to get on smaller beads. Getting a glow in the glass makes it go away and you have to work so cool that I am having conniptions about it not cracking.







For this one, the base is Silver Pink as well.

 

And the back has dots and trails of intense black - which breaks up very nicely on the silver pink provided you keep them thin enough.  You can see a little of the subtle pink on the sides, and more of a deep cream further in.