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Worked up like this, thin, you get a range of intensities.
and a range of colours, depending on the type of lighting you are using.
Hold them up to the light, and you can see a range too -including hints of that grey that was there when it was hot ...
The base is Very Cherry - where the raku frit is, it reacted very strongly to create heavy black borders. The horse is also rendered in Very Cherry. The Very Cherry, being a transparent, is stiff and worked nicely for the sculptural part. There is some pitting. The lack of contrast makes it rather tough to see the features on the face, so I might etch this one.
This colour is not going to appeal to everyone. If you are fascinated with colour-shift reds, need a super dark red, or intend to work it thin over white for it's orange aspect, or just love the Vetro price point, it might have appeal for you.
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