In a reducing flame, it develops a smoky bluish metallicy haze, which you can remove and re-reduce and fine tune. The bead on the far left is a hollow, with the left side reduced, and the right side unreduced. The spacers are, from the left, one reduced, the rest never reduced.
And, just for fun, here is a large dichro focal, encased in the Garzoni, and streaked and raked, (not sure with what, some other reducing glass, possibly Sasha's silver), and partially unreduced again.
I really like the way this glass works, and will be buying more!
BTW - I really think that it should be Giovanna Garzoni, but to avoid too much confusion, I'm listing it the way it was styled to me. Giovanna Garzoni was a female baroque painter who specialized in some truly delightful still lifes. Google her.
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