Well - here we go again - a new selection of frits. By now - you know about me and frits and my questionable relationship with them. But I am starting to get somewhere - and lord knows, just because I'm bad at something - doesn't stop me from doing it.
Unless it is parachuting. I realized that being bad at that could kill me - so I stopped after the first jump and only a broken ankle. But that is another story.
The working notes for this blend say:
Opaque: Firey tones of red, orange and earth ignite this blend of frits. A hint of some cool tones gives it complexity and depth. Don't pair with silver foil or dark rimming will occur.
So, here we have it on white. It was shades of pink when it was hot. But, orange and red it said, and orange and red, and yellow and a grey violet is what we get.
From the left we have: 1) clear gather, dip and wind. 2) On Hades. 3) And on Hades, and encased. Apparently, that one could have used more frit and less heat. I've swirled the frit into total obscurity on that one.
This is a nice, happy blend of summery colours. The light mauve stops it from being too over the top and adds a little sophistication.
implosion rules ;) . . .i like it . . with or without frits ;) . . . i think red and yellow glasses are special to jus`d "inside" . .
ReplyDeletegreets
guido
I have a Cox frit that has cracked 3 or 4 times when I use on white with Lauscha clear. I pretty much thought it was compatibility, but maybe I ought to try again. It was also Lauscha white. Any ideas?
ReplyDeleteare you using a lot of the frit? With the Lauscha glass, it needs to anneal at a higher temp and go into the kiln hotter.
ReplyDeleteHave you tried the frit on another colour or white from a different manufacturer? Have you had problems with those glasses without the frit.
Just some thoughts on nailing down just exactly where it could be coming from.